Ram Gopal Varma is used to kicking up controversy but that's never stopped him from making films with daring subjects.
His latest, Nishabd, is about an old man in love with a teenager. The catch? It stars Amitabh Bachchan, hence the inevitable scandal. Here's what he talked about:
So Nishabd has a pretty rocking new song. Where did that come from?
Oh yeah. I just wanted one song to capture the emotion of an old man, his angst, his guilt, his conflict. So I asked Vishal Bhardwaj to do a song. It was the first time we worked together after Satya, and he was great. He got Mr Bachchan to sing a song called Rozaana, and I think it really captured the mood of the film.

Your film is about a 60-year-old man and a barely-adult girl. Aren't you annoyed every time comparisons with Lolita come about, which was a story dealing with paedophilia?
I'm really not bothered. The media makes up its own mind. They'll call it 'RGV's Lolita,' because they think it's a good headline. It's an amazing novel and maybe I've been influenced by it, but Nishabd isn't about that.
So what, in your own words, is Nishabd about?
Fundamentally speaking, bodies age, feelings don't. Age is a relative thing, and at one level, it is all in the mind. But society has conditioned us towards so many wrongs. There are restrictions of family, religion... And then, in this case, there is not just an age gap, but the man is a married man in love with his daughter's friend. Which brings about, for him internally, a big question of sin. There is a sense of responsibility, but a question of temptation might overpower that.
So in Nishabd, I want to show his emotional state. I want audiences to feel his conflict, not judge him.
Jiah Khan and Amitabh Bachchan in NishabdWhile the subject is a potentially volatile one, your trailers seem sensitive. Would you call this a film with shock value, or is that just to lure audiences?
See, the subject is the subject. I think there is no shock in Nishabd. You can write that for your readers right now. I think it's the most emotional film I've ever made. The thing about audiences is that we can't generalise them, it's very unfair. My film could connect with them, could offend them, sure. But my attempt is to definitely make an impact, based on the convincing power of the narrative. If that is strong, the film will work.
And Jiah Khan, the poison ivy for Mr Bachchan in the film, is a brand new heroine. Wasn't it a bit of a gamble taking an unknown actress for such a demanding role?
She's absolutely new, and that's what I really wanted. I wanted an unknown entity, someone fresh. That's the only way this film could be convincing. And I think she has the correct look for Nishabd.
Is she a good actress?
I feel there are only well acted or badly acted roles, and no such thing as a good actor or actress. In the same way, there are well directed or badly directed films, no good or bad directors. I think it's all about using the talent properly, in the context of the script. I think Jiah's done well in this film, and for this role.
And then there's Mr Bachchan...
Casting him was integral to the film. Because I wanted to take someone of such stature, someone that much larger than life, and then show a fall from grace. If someone that respectable, someone you look upto that much can get affected by these feelings, it'll make you and me take the situation that much more seriously.
I think it's his best [work], simply because it doesn't look like a performance. He's absolutely in the character. He's just there. It's phenomenal.
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